Comic-Con tuned in to TV
The final "Fringe" panel at Comic-Con was filled with laughter and tears.
July 16th, 2012
12:12 PM ET

Comic-Con tuned in to TV

There were certainly some big movies being promoted at San Diego Comic-Con this year, but the glitz of the big screen seemed no match for the momentum of the small screen. Television has gained a huge foothold at the annual event.

‘Game of Thrones,’ ‘The Walking Dead’ and ‘Big Bang Theory’ panels got star treatment in the main presentation area, Hall H. "Fringe" and "Doctor Who" also held panels on the biggest stage at Comic-Con.

Two of the most eye-catching "wrapped" buildings near the convention center this year featured ads for "Revolution," NBC's much-hyped fall offering, and the upcoming Syfy TV series/video game "Defiance."

Sunday's final panel for "Fringe," which enters its last season on Fox in the fall, was a memorable event: Producers of the series put together a montage to thank fans for their efforts in keeping the show on the air.

Cast members Anna Torv, Jasika Nicole and Lance Reddick struggled not to tear up as they recalled their most memorable scenes.

"The thing that holds 'Fringe' together is the power of love," star John Noble summed up. FULL POST

A tale of two Comic-Cons
The scene at the Lionsgate/IGN party in San Diego on Thursday night.
July 16th, 2012
09:09 AM ET

A tale of two Comic-Cons

Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.

It was the best of cons, it was the worst of cons, it was the age of fan celebration, it was the age of crass commercialism, it was the epoch of true believers, it was the epoch of sell outs, it was the season of the nerd, it was the season of Hollywood.

Never before had I felt such a sense of belonging accompanied by one that I was out of place.

San Diego Comic-Con 2011: After a day of conducting press interviews and covering panels, I hit The Con floor to pick up some swag before booths closed. There were more than 130,000 attendees and I think I bumped into every single one of them. My eyes were in constant danger from too-close interactions with passing wings, lightsabers, claws and more than a few Dalek protrusions – and I had no Nick Fury patch to cover any resulting eye loss.

Despite the threat, and claustrophobia, I felt I was with my people.

With a newly acquired foam Sword of Omens from “ThunderCats” and an Oscorp Industries ID badge from Sony’s “The Amazing Spider-Man” display, I headed to the Hard Rock Hotel across the street from the convention center in pursuit of a Her Universe “Sharktopus” tee from the Syfy shop.

People lined up outside a Hard Rock club, and my finely-tuned instinct to pursue free food and booze (when not pursuing swag) kicked in. An SUV limo pulled up, the very important posse of a very important person filed into the club, and the nerds outside were left with a snapshot of a celeb and an encounter with the superhero of the Con’s party circuit – the Velvet Rope Guardian.

The message is clear: This is not for you, you don't belong, return to the your area. FULL POST

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Anthony Bourdain swears he's a nerdy fanboy
Jiro is the chef at the center of Anthony Bourdain's graphic novel.
June 28th, 2012
11:45 AM ET

Anthony Bourdain swears he's a nerdy fanboy

Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.

Throughout the years, Anthony Bourdain has been cast as a punk-rock chef or as a food snob who will say anything to stir up a controversy.

For some he is the taste-making adventurer behind Travel Channel’s “Anthony Bourdain: No Reservations,” the eight-season strong series where globetrotting is experienced through a cinephile’s eye, an audiophile’s ear and a gastrophile's stomach. Still others just think of him as that dude who ate warthog anus that one time.

But actually, Anthony Bourdain is a nerd.

Just as a comic book nerd can obsessively debate the merits of publishing companies, artistic elements, story arcs and creators, Bourdain is a food nerd who knows his restaurants, ingredients, dishes and chefs. He is a collector and communicator of food data, and you can add movie, music and, yes, comic book nerd to his list of labels as well.

This isn’t exactly groundbreaking news. Bourdain uses his literary confessional “Kitchen Confidential: Adventures in the Culinary Underbelly” and “No Reservations” – along with his blogs, essays, books, writing gig for HBO’s “Treme” and presumably his upcoming weekend show on CNN – as a playground to sate big-kid wishes and hang out with icons like Alice Cooper and Harvey Pekar.

Now he is finally able to pursue a successful fanboy’s dream of writing a graphic novel for DC Comics. Published through the Vertigo imprint, Bourdain’s “Get Jiro!” is a satirical thriller set in a “not too distant future” where master chefs are mob bosses who pull the strings of power in Los Angeles.

(DC Comics, like CNN, is owned by parent company TimeWarner.)

The comic's two ruling “families” are the food-savvy but withholding “Internationalists” (led by an Alain Ducasse-meets-Robert Irvine kingpin) and the hypocritical locavore “Vertical Farms” (led by a pretty obvious Alice Waters stand-in). While the outer rim of the city is loaded down with obese, fast-food-gorging denizens, the inner rim is a place where a reservation at primo joints is a sign of influence. Then there’s Jiro, a mysterious sushi chef who wishes only to serve his culinary craftsmanship without getting caught up in the politics of the kitchen crime world.

Co-written with Joel Rose (“La Pacifica,” “Kill Kill Faster Faster”) with art by Langdon Foss (“Heavy Metal”), “Get Jiro!” is like “Ratatouille” meets “Kill Bill: Vol. 1,” where deliciously gratuitous violence is juxtaposed with painstakingly accurate food nerd details. And Bourdain’s commentary about celeb-chefs and our food culture is about as sharp as Jiro’s tanto knife. FULL POST

If aliens attack, this is who you want fighting on your side
Watch out "skitters," here comes Noah Wyle.
June 26th, 2012
04:35 PM ET

If aliens attack, this is who you want fighting on your side

Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.

Don't panic but our planet is in dire need of saving – from alien invaders. At least, that's if the impending summer blockbuster movie season is any indication.

The immensely successful super hero supergroup movie "The Avengers," directed by Buffyverse maestro Joss Whedon, was not only the beginning of the 2012 summer movie season, it also signaled the potential end of Earth unless a super-powered resistance can fight off godlike aliens. Then Peter Berg’s "Battleship" – an alien invasion flick based off the board game and starring Liam Neeson – came ashore on May 18. Memorial Day weekend unleashed Barry Sonnenfeld’s "Men in Black III" with Will Smith before Ridley Scott’s "Alien"-esque prequel "Prometheus" opened up on June 8. The fallout of the alien invasion on "Falling Skies" is particularly nitty-gritty: The post-apocalyptic world of the 2nd Massachusetts human resistance regiment returned to the airwaves this month with the show's second season.

So what does all this potential destruction of humanity mean? Well, we humans certainly love to watch films and television shows where our lives and planet are put in danger, but the appeal goes deeper than that. Audiences can deal with humankind on the verge of an extinction event as long as there a few good men and women willing to put up a fight to the finish. We love to watch a kick-ass leader emerge even if his efforts don't ultimately stop an invasion. To borrow from Bonnie Tyler, we need a hero whose got to be strong, sure and larger than life – and being smart and funny also helps to cope with the stress of saving the planet and inevitable whining of weaker characters.

With those characteristics in mind, we give you Paranormal Pop Cultures' best human resistance leaders to face off against otherworldly threats. FULL POST

Snow White, the milquetoast heroine
Kristen Stewart as Snow White.
June 5th, 2012
04:15 PM ET

Snow White, the milquetoast heroine

Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.

Wielding a sword and embarking on a quest to vanquish an evil queen does not a warrior princess make. What it does make, however, is about $56 million and a top spot at the box office.

Released last Friday, the movie “Snow White and the Huntsman” is an attempt to launch a female-driven fantasy franchise. Based on the money it is pulling in so far, that attempt will likely succeed, but the movie falls far short of being a story worthy of the genre. And for fantasy nerds who have come to expect more from female protagonists, this armor-plated princess flick will not be the one to rule them all.

Within the fantasy genre, the exploration of humanity – in both its selfless acts and depraved depths – is what makes these stories of myths and magic more than just swords-and-orcs tales. J.R.R. Tolkien, Marion Zimmer Bradley, Robert Jordan, Stephen King, J.K. Rowling and many other fantasy authors know this when they put their characters on a quest.

The quest is clear with “Snow White and the Huntsman.” Instead of an animated Disney film with a porcelain-skinned heroine, this outing stars Kristen Stewart (the “Twilight” films) as the eponymous heroine from the Grimm fairy tales. The movie tries to go in a, well, grim, direction by making Snow White a virginal, innocent hero who escapes the clutches of her sorceress stepmother (Charlize Theron) and then returns to take her out.

Joining her on the journey – because the queen has been sucking life and youth from their lands – is an assassin- cum-protector Huntsman (Chris Hemsworth), seven bandit dwarves (including Bob Hoskins, Toby Jones, Ray Winstone and Nick Frost) and the fairy magic of the forests which has deemed Snow “The One.”

But trading in on a reinvigorated fascination with fairy tales, and the popularity of “Twilight” (Stewart as Snow sports her same Bella Swan grimace and is caught between two suitors), the film fails to develop a believable heroine on a mission. It opts instead for a character who rapidly transforms from a pouty ragamuffin captive to a pouty source of light magic, and leader of men. FULL POST

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