Editor's note: Emma Loggins is the editor of Fanbolt.com, a fan news site that specializes in behind-the-scenes information and interviews with the casts and crews of entertainment franchises with organized fan bases.
This year marked the 65th anniversary of a mysterious object crashing down just north of Roswell, New Mexico, in 1947, and launching decades of speculation about the truth behind the wreckage.
The Roswell Army Air Field (RAAF) released an initial statement claiming that a "flying disk" had been recovered. The following day, a second press release was issued which stated that the 509th Bomb Group had been mistaken, and the wreckage was actually that of a weather balloon.
Years later, believers and skeptics alike flock to Roswell for the annual UFO convention. The event attracts scientists, doctors, engineers, and of course alien enthusiasts. This year, there were two festivals commemorating the event: One was put on by the city, and the other festival was hosted by the International UFO Museum.
Cameras in hand, Barry and Ann Lasky stood outside the museum waiting for the opening ceremonies to begin Sunday. The couple moved to Roswell a few years back after attending an earlier festival and falling in love with the city. They moved to Roswell from Los Angeles, California, and began selling collectible memorabilia.
"My official reason for moving to Roswell is I wanted to be kidnapped and probed by aliens," Lasky joked. "But the other reason is it's too expensive to live in Los Angeles. We know people out here, and we're into the science fiction. We sell comics, magazines, and collectibles, so this seemed like a good place to go. We're having a lot of fun here." FULL POST
Editor's note: Aaron Sagers is a New York-based entertainment writer and nationally syndicated pop-culture columnist. He has specialty knowledge in "paranormal pop culture," has lectured at conventions nationwide on the topic and is a media pundit on supernatural entertainment. He covers pop culture daily at ParanormalPopCulture.com and can be found on Twitter @aaronsagers.
If Comic-Con is "nerd Christmas," then speaking on a panel at the con feels like taking Santa’s sleigh out for a spin. I have been fortunate to speak at large cons like New York Comic Con and Dragon*Con, but San Diego is the “really big shoe” – so obviously I didn’t want to crash and burn.
When Matt Mogk, founder of the Zombie Research Society, invited me to join him and zombie intellectuals, authors and experts on the “History of the Modern Zombie” panel, nerdy giddiness overcame me. That was then immediately followed by an “Oh, crap” moment.
Sure, I’ve written and spoken quite a bit about zombies but these were dudes whose work I followed, like Max Brooks, Steven Schlozman, Scott Kenemore, Bradley Voytek and Dan Drezner. Speaking in front of a crowd didn’t freak me out and I have confidence in my knowledge. But I’m also a fan and very aware that the ZRS has legit legend George A. Romero on the Advisory Board.
So, to prep, I did what any good journalist would do: call in an expert. Actor Bruce Campbell is con royalty and if he didn’t attend San Diego, it could be considered a harbinger of doom in some nerd cultures. Instead of deep, philosophical advice about my first SDCC panel appearance, Campbell kept it simple. FULL POST
Every summer, thousands upon thousands of people pack their suitcases to head to San Diego, California, for Comic-Con.
Sometimes that's a challenge: Many of those suitcases contain a costume packed underneath their daytime clothing (or, perhaps the costume IS their daytime clothing).
Convention costumes can be an all-year endeavor - some attendees have a different costume for every day of the con. And even as cosplayers walk the show floor, they may already be thinking of how to assemble the fantastic costumes they will wear next year.
Why do people cosplay? Well, it's simple. Everyone needs a hobby. And yet, it seems like there can be so many other explanations. Like, it's fun (and yes, it is). Or, there's the theory that cosplayers are just attention junkies (and yes, sometimes, we are). But just like every other human habit, there's something a bit more complex beneath the surface.
It's my experience that when a cosplayer puts on a costume, we capture a moment. In costume, we are all children again. We are joyful, open, excited, able to let go of responsibility. We also wear what makes us happy. By becoming a character that we love for a day, we transcend our own reality and enter one that we often dream of inhabiting.
Yes, it's wish fulfillment, real-life role play. We lose and find ourselves in those costumes. We stand in a sea of other people who are drawn to the same things that we are. We fit in, and at the same time, we don't. But we want to.
Underneath our costumes, we dare to reveal ourselves to the world, bit by bit. By wearing a mask, we reveal who we really are.
Editor's note: Genevieve Dempre is a self-described feminist killjoy whose past work includes contributions to Ms. Magazine Online. She loves Joss Whedon and loves to mock Sweet Valley High. She can generally be found moderating at Fark.com, sometimes in a Rainbow Brite outfit, or on twitter @Genevieve_Marie.
Geek culture has a bit of a misogyny problem. That’s not news to anyone who’s been paying attention.
From the abuse heaped on Anita Sarkeesian to the criticism of Felicia Day, it’s become obvious that women who identify as geeks and who are vocal about their opinions on the culture are probably going to face some backlash. Fortunately, that’s becoming recognized as fact by most of the people who pay attention, but the conversation around why it happens and who’s to blame for it isn’t always particularly positive.
Now don’t get me wrong, I’m as opposed to the concept of companies using women’s bodies as marketing tools as the next feminist. I think criticism of the practice that points out how this marginalizes women and treats us as the product instead of as potential consumers is necessary and important.
What I object to in the current discussion is the idea that the professional models who are paid for their work are somehow deeply broken human beings who are willfully exploiting men. I also object to the conflation of women who model professionally at conventions with women who genuinely love geek culture and who happen to be attractive and enjoy some occasional cosplay.
Geek girls, even the ones who are conventionally attractive, come to the culture for the same reason men do: we’re looking for our people. Almost everyone who finds a home in it is someone who has experienced alienation in another part of their lives. For many of us, finding the other weirdoes who love the same things we love is fantastic and life changing.
It truly sucks when you find those people and realize that they don’t believe you’re one of them and when they make it clear that you’re going to have to jump through some hoops to prove you’re worthy of being included. It especially stings when it comes to one particular element of being a female geek: the part where you are simultaneously appreciated and denigrated for your sexuality. FULL POST
Editor's note: This post is part of the Overheard on CNN.com series, a regular feature that examines interesting comments and thought-provoking conversations posted by the community.
Joe Peacock's latest opinion piece for CNN Geek Out caused quite an uproar. We saw more than 700 comments and at least hundreds of tweets about the article, which expressed a complex point of view blasting the phenomenon of beautiful "booth babes" at fan conventions including San Diego Comic-Con. At the same time, Peacock also said he supports women's increased acceptance within geek society.
The article spread far and wide, and got mentions on Jezebel and Bleeding Cool. Some of our readers thanked CNN for publishing the piece, while others found a few sticking points with Peacock's reasoning.
One of the most notable people to talk about the article was none other than actress and writer Felicia Day, who is mentioned in the post. She in turn got numerous replies from other Twitter users.
Peacock writes about Day, "Not only does she put her money where her interests are, she creates things that further the community."
Peacock contrasts her with "models-cum-geeks like Olivia Munn and practically every Frag Doll," whom he sees as examples of corporate attempts to hire people who "act quirky and sell this marketable geekdom" to a lucrative audience.