Superheroes can be a dark and brooding lot, even when they’re in cartoon form. That may be one reason that DC Nation’s fanciful, animated shorts grabbed so much attention when they started airing in March on Cartoon Network. (Both DC and Cartoon Network are owned by Time Warner, which owns CNN.)
Interspersed with the full-length “Young Justice” and “Green Lantern” cartoons, the shorts bring an off-kilter charm to DC Nation’s Saturday programming block: Baby Superman crawling faster than a locomotive, Chibi-style Teen Titans, a Claymation Joker (created by Aardman Animations of “Wallace & Gromit” fame) and a particularly zany Plastic Man.
“The DC library is so vast and cool that we always want to introduce people to new characters or maybe characters they wanted to see animated,” said Peter Girardi, senior vice president of series and alternative animation at Warner Bros., who likens the shorts to a mini film festival. “We reached out to tons of studios and creators. We said, ‘Hey, rather than us tell you some characters to use, why don’t you just tell us the characters you always wanted to play around with?’ The tougher part is they have a minute and 15 seconds.”
Static has enjoyed a good amount of success for a superhero since the DC Comics character was introduced in 1993.
The comic book series "Static Shock," became a Saturday morning cartoon series, which lasted for four seasons starting in 2000. It was also part of DC's "New 52" titles, introduced last August, although the series is ending after eight issues this month. (DC Comics is owned by Time Warner, the owner of CNN.)
One medium the character has yet to crack, however, is the big screen, and Stefan Dezil hopes to change all that.
Dezil raised the money to shoot a 13-minute short film about the character, and - like "Archetype," a science fiction success story - he hopes the film will show a feature-length film could work. The result is "Static Shock Blackout."
Dezil spoke to CNN Geek Out about the project.
Hello again, fellow comic readers!
When DC Comics canceled almost every book it published last August and relaunched with a few dozen new titles or reworked classics – the so-called “New 52” - it was the biggest story to hit the world of comics in quite some time. (Like CNN, DC Comics is owned by Time Warner.)
The New 52 roll-out offered consumers same-day digital distribution, gave a lot of relatively unknown writers and artists a chance to play for the majors, took some real chances on some lesser-known books and even rolled the dice on some creators who once strode the comics landscape like kings but had since fallen out of public favor.
The first book I recommended in this column was “Justice League #1,” the flagship title of the effort. It turned out to be one of the titles they took no chances on the art and writing whatsoever. FULL POST
Hello again, fellow comic readers!
You probably think you already know everything you need to know about The Flash. You should pick up DC Comics “The Flash #6,” which comes out this week, anyway. (Like CNN, DC is owned by Time Warner.)
It’s a crossover issue that builds on the pre-existing story and artwork by the always brilliant writer/artist Francis Manapul (“Witchblade,” “Legion of Super-Heroes”). It manages to bring that story to a conclusion and nicely set up issue No. 7’s introduction of the New 52’s vision of Flash’s nemesis – Captain Cold.
Our friend Daniel Dean from Titan Games and Comics in Smyrna, Georgia, thinks you should read "The Flash” simply because Manapul writes the book.
Francis Manapul, simply put, is "an artist who's never afraid to try something,” Dean said. “He usually succeeds, even on projects undeserving of his talents.”
“The Flash” has always been a divisive property, with different incarnations and different “definitive” takes on the character stretching back to the ‘30s. In the end, I think there’s a place for all of them. But the shifting around has understandably rubbed some comics readers the wrong way.
I went back and read some older issues of “The Flash.” I found that sharp thinking, a mind for science, and above-par intelligence were always at the heart of the comic.
Batman always wants to be better than his enemies. Superman always wants to represent a greater good. And The Flash always wants to be smarter than his enemies - and he wants to win. That's the jock and the nerd rolled into one. FULL POST